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Del Toro’s ‘Frankenstein’ Leads Netflix as Visual Bravura Meets Dispute Over Fidelity

Critics weigh a museum-like visual language against a softer tone than Shelley’s.

Boutique Producer-Manager 2AM Shuts Down as Founders Split

DOC NYC Opens 16th Edition With Hybrid Screenings Across Manhattan and Online

New York’s IndieChina Film Festival Suspended After Reported Pressure From Chinese Authorities

Tommy Dorfman’s I Wish You All the Best Opens Nationwide With Warm Early Notices

‘Peter Hujar’s Day’ Turns a Lost 1974 Interview Into Intimate, Talk-Driven Cinema

Wes Anderson and Gagosian to Recreate Joseph Cornell’s Studio at Paris Storefront, Opening Dec. 16

‘Maya and Samar’ Premieres at Thessaloniki as Director Condemns NC-17 Rating

Fifty Years On, Pasolini’s Killing Remains Unresolved as Italy Honors His Legacy

Kristen Stewart Wins SCAD Rising Star Director Award at Savannah Film Festival

‘Little Amélie or the Character of Rain’ Opens in Select U.S. Theaters as GKIDS Debuts English-Dub Trailer

Janus Films Debuts U.S. Trailer for Pálmason’s The Love That Remains Ahead of Jan. 30 Release

Martin Scorsese’s ‘The Saints’ Season 2 Premieres Nov. 16 on Fox Nation

Panahi’s ‘It Was Just an Accident’ Reaches U.S. Theaters After Clandestine Tehran Shoot

Bonitzer’s Auction Opens in U.S., Reframing a Real Schiele Restitution Saga

Vogue World: Hollywood Honors Diane Keaton With ‘Annie Hall’ Runway Tribute

Guillermo del Toro: 'I'd Rather Die' Than Use Generative AI, Linking Frankenstein to Tech Bros

Paul Schrader Predicts First Fully AI Feature in Two Years, Says He Has a Script Ready

Rebecca Glashow Named Tribeca Enterprises CEO as Jane Rosenthal Becomes Board Co-Chair

Gaza Women’s Cinema Festival Sets Oct. 26–31 Debut in Deir El-Balah With ‘The Voice of Hind Rajab’ Opening