Film Criticism

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Saoirse Ronan Anchors Dark School Satire Bad Apples

Early reviews show strong praise for Ronan paired with consistent criticism of the screenplay's logic.

Pariser’s One Minute to Midnight Debuts at Venice as a Midlife Reckoning

Akanksha Chamola Seeks To Remove Khanna From Instagram As Divorce Nears

Late Fame Showcases Willem Dafoe in SoHo Literary Drama

Centre Panel Upholds Restriction on Satluj After Uncut OTT Release Was Pulled

Na Hong-jin's Hope Tops Korean Box Office and Reaches 2 Million in Five Days

Uwe Boll’s Citizen Vigilante Refused Rating in Germany as U.S. Release Goes Ahead

NFDC-NFAI Restores Ritwik Ghatak Films in 4K for BFI Southbank Centenary Season

Zvyagintsev’s Minotaur Leads Cannes Palme d'Or Race

Mark Jenkin’s ‘Rose of Nevada’ Opens in UK Cinemas

Alien 3: The Assembly Cut Arrives on HBO Max

Sergei Loznitsa’s Two Prosecutors Opens in Theaters With a Chilling Study of Manufactured Truth

New Directors/New Films Unveils 55th Lineup With 'Leviticus' Opening and 'Donkey Days' Closing

‘The Last Kings of Hollywood’ Recasts Coppola, Spielberg and Lucas as Makers of — and Subjects to — Modern Hollywood

Richard Linklater’s Nouvelle Vague Opens in UK Cinemas to Warm Reviews

Fing! Bows at Sundance as Stylized Family Film Seeks Distribution

Lav Diaz’s Magellan Recasts the Explorer as a Brutal Agent of Conquest

Criterion Sets March 2026 Slate, Bringing Killers of the Flower Moon to Disc

Bi Gan’s Resurrection Opens in Limited Release as Critics Praise Daring, Dream-Driven Epic

Tarantino Says He Can’t Stand Owen Wilson Yet Ranks Midnight in Paris in His 21st-Century Top 10