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Pariser’s One Minute to Midnight Debuts at Venice as a Midlife Reckoning

The Venice premiere tests whether a conversational French drama about male accountability can turn festival attention into a U.S. distribution deal.

Kelly Reichardt's The Mastermind Reframes the Heist Film as a Melancholic Character Study

‘After the Hunt’ Opens NYFF to Divided Reviews Ahead of October Theatrical Rollout