Film Technology

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IFC Sets April IMAX Dates for 6K Restoration of Herzog’s Cave of Forgotten Dreams

A painstaking 6K, true-3D rebuild aims to deliver the dimensional fidelity Herzog originally sought.

Library of Congress Releases 4K Restoration of 1897 Méliès Short With Early Screen Automaton

Rajamouli Unveils A&M MoCap Lab at Annapurna Studios, India’s Most Advanced Motion‑Capture Facility

Fernando Eimbcke’s ‘Moscas’ Impresses in Berlinale Competition

Trinity CineAsia Boards Zhang Yimou’s ‘Scare Out’ for U.K., Ireland With Feb. 20 Launch

Con Pederson, Pioneering ‘2001’ Visual Effects Supervisor, Dies at 91

Cinema Turns 130: From the Lumières’ First Screening to Streaming and AI Upheaval

Avatar 3 Opens in 3D as Reviews Split Over Spectacle and Story

James Cameron’s Avatar: Fuoco e cenere Opens in Theaters With Towering 3D and Split Early Reviews

New Lists Reassert Sci‑Fi Canon, Elevating 'Metropolis,' '2001,' 'Blade Runner'

‘Avatar: Fire and Ash’ Premieres in Paris Ahead of Dec. 17 Theatrical Release

Nagarjuna Unveils 4K/Dolby Atmos Restoration of ‘Siva’ at IFFI Goa After Seven-Year Effort

Nolan’s The Odyssey Is First Feature Shot Fully on IMAX as New ‘Blimp’ Delivers Usable On‑Set Sound

Avatar Making-Of Documentary Hits Disney+, Showcasing Underwater Breakthroughs and Teasing Fire and Ash

‘Wizard of Oz at Sphere’ Soundtrack Released With A Cappella ‘Over the Rainbow’

Seville European Film Festival Opens With New Shorts Competition and a Beefed-Up Industry Hub

Cinemark, IMAX To Add Three 70mm Film Sites and Expand Laser Upgrades Before Nolan’s The Odyssey

Michael Mann Moves Heat 2 to Amazon’s United Artists, Weighs AI De‑Aging and Plans Wide Theatrical Release

Disney+ Sets Nov. 7 Premiere for Two-Part Avatar Documentary, Trailer Debuts

Priscilla Sequel to Use CGI to Complete Terence Stamp’s Final Bernadette Performance