Film Technology

Visual Effects Cinematography IMAX IMAX Technology Special Effects Camera Technology AI in Film Projection Technology AI in Filmmaking Digital Filmmaking 3D Technology CGI Projection Systems Performance Capture Cinematic Techniques Motion Capture Virtual Reality Animation Technology Visual Effects Technology Motion Capture Technology Artificial Intelligence Computer-Generated Imagery Camera Equipment Aerial Filming Production Techniques Cinematography Techniques Innovations in Filmmaking Artificial Intelligence in Film Cinema Technology Digital Restoration IMAX Cameras Practical Effects Cinematic Innovations Real-Time Filming Location Technology Animation 4K Technology IMAX Systems Computer Graphics De-aging Technology Audience Interaction Production Design Lighting Techniques CGI in Film Virtual Filmmaking Stunts in Film Innovations Camera Stabilization Captioning Technology Voice Acting 70mm Film 4K Imax Restoration 4K Restoration Imax Sync-Sound System Film Editing Film Distribution Immersive Experiences Color Grading Camera System Film Cameras Film Remastering Special Effects Equipment Evolution of Film CG Technology De-Aging Technology Impact of Technology Production Facilities 4K Quality Analogue Film Animatronics Camera Systems Cameras Predictions in Film Advancements in Filmmaking Film Adaptation Screenlife Format Archival Footage Dystopian Themes High-Resolution Formats LED Technology 3D Printing Advanced Filmmaking Techniques Drone Footage Digital Distribution Mechanical Characters Cinematography Equipment Virtual Production Post-Production Techniques Camera Development Digital Storytelling VFX and CGI Restoration Techniques Video Production 3D Filmmaking Screenlife Films Audio Engineering Theatrical Experience Sound Engineering Future Technology

Philomena Cunk Trailer Unveils 'Cunk on Cinema' Series

The preview signals a global BBC–Netflix release for a six‑episode short series that will trace film history up to CGI and the prospect of AI.

Ghost in the Shell Returns to North American Theaters in 4K

Whitney Peak Joins Michael B. Jordan in Kosinski’s Miami Vice ’85

April X Trailer Debuts Starring Connor Storrie in Neon Sci‑Fi Noir

Gregg Araki Says AI Helped Fix Noisy Scene in His New Film

Disney Sets Soarin’ Across America Passholder Previews at EPCOT for May 19–20

Terminator 2 Returns to Theaters for 35th-Anniversary Run

Imax Tops Q1 Estimates on 'Project Hail Mary' Surge Despite 6% Revenue Drop

IFC Sets April IMAX Dates for 6K Restoration of Herzog’s Cave of Forgotten Dreams

Library of Congress Releases 4K Restoration of 1897 Méliès Short With Early Screen Automaton

Trinity CineAsia Boards Zhang Yimou’s ‘Scare Out’ for U.K., Ireland With Feb. 20 Launch

Con Pederson, Pioneering ‘2001’ Visual Effects Supervisor, Dies at 91

New Lists Reassert Sci‑Fi Canon, Elevating 'Metropolis,' '2001,' 'Blade Runner'

Nolan’s The Odyssey Is First Feature Shot Fully on IMAX as New ‘Blimp’ Delivers Usable On‑Set Sound

Avatar Making-Of Documentary Hits Disney+, Showcasing Underwater Breakthroughs and Teasing Fire and Ash

‘Wizard of Oz at Sphere’ Soundtrack Released With A Cappella ‘Over the Rainbow’

Seville European Film Festival Opens With New Shorts Competition and a Beefed-Up Industry Hub

Cinemark, IMAX To Add Three 70mm Film Sites and Expand Laser Upgrades Before Nolan’s The Odyssey

Michael Mann Moves Heat 2 to Amazon’s United Artists, Weighs AI De‑Aging and Plans Wide Theatrical Release

Priscilla Sequel to Use CGI to Complete Terence Stamp’s Final Bernadette Performance