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‘Project Hail Mary’ Posts $53 Million Second Weekend to Stay No. 1

Word of mouth with premium‑format demand signals long legs for Amazon MGM’s original sci‑fi bet.

'Nobody 2' Surges to No. 1 on Netflix, Reviving Sequel Talk for Bob Odenkirk Franchise

After Oscars Loss, Timothée Chalamet’s ‘Marty Supreme’ Sets HBO Max Premiere Date

A24’s Micro-Budget Horror ‘Undertone’ Opens to $9.3 Million

Hulu’s Long-Planned Hitman Series Canceled, Kolstad Says

Micro-Budget Horror 'Undertone' Opens to $9.3 Million for A24

Pixar’s ‘Hoppers’ Repeats at No. 1 With $28.5 Million as Original-IP Momentum Builds

‘War Machine’ Rules Netflix With 71 Million Hours Viewed in Week One

Michael Sarnoski Emerges as Studio’s Preferred Choice to Direct ‘Alien: Romulus’ Sequel

Taylor Sheridan’s The Madison Debuts Saturday With Split Release and Season 2 Already Filmed

‘Hoppers’ Nears $50 Million Domestic, Tracks $27 Million Second Weekend

Pixar’s ‘Hoppers’ Opens No. 1 With $88 Million Worldwide, Best Original Animated Debut Since ‘Coco’

Warner Bros.’ The Bride! Opens to $13.6 Million Worldwide, Ending Nine-Film No. 1 Run

Pixar’s ‘Hoppers’ Opens to $88 Million Worldwide as Warner’s ‘The Bride!’ Falters

Ryan Gosling Explains His Jump to Star Wars: Starfighter as Standalone Entry Draws Early Praise

‘Avatar: Fire and Ash’ Nears $400 Million Domestic as Global Gross Reaches $1.474 Billion

F1: The Movie Scores BAFTA Best Sound After AMPS Win

2018 Thriller 10x10 Surges Into Netflix Top 10 After Quiet Addition

‘GOAT’ Takes No. 1 as ‘Wuthering Heights’ Slides in Second Weekend

Psycho Killer Opens in Theaters to Harsh Early Reviews