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Josh Boone Calls The New Mutants 'Traumatic,' Says He Wouldn't Do It Again

The director points to corporate upheaval plus the pandemic as the forces that compromised the 2020 film's path.

Early Reviews Temper Hype for Chris Stuckmann’s ‘Shelby Oaks’ Before Oct. 24 Release

After the Hunt Falters as Reports Focus on Director’s Reworked Ending

‘Schindler’s List’ Streams Free on BBC iPlayer in the UK Through Sunday

George Lucas Says He Has Moved Past 'Star Wars' as He Focuses on 2026 Museum

Ishmael Reed’s ‘The Amanuensis’ Confronts ‘Song of the South’s’ Roots in Uncredited Black Folklore

Marvel Revamps Fantastic Four Look, Keeps Cast for ‘Avengers: Doomsday’ Push

Andy Muschietti Reasserts Pride in 'The Flash,' Citing Bandwagon Backlash

‘Culpa Nuestra’ Debuts on Prime Video, Concluding Mercedes Ron’s ‘Culpables’ Trilogy

Daniel Day-Lewis Defends Method Acting at BFI London Film Festival as He Promotes 'Anemone'

As 'After the Hunt' Widens to U.S. Theaters, Reviews Split on Roberts-Led Campus Thriller

‘A House of Dynamite’ Begins Limited Run Ahead of Oct. 24 Netflix Launch

Bret Easton Ellis Rebukes Praise for ‘One Battle After Another,’ Calling Acclaim Ideological

‘The Smashing Machine’ Posts Career-Low Debut for Johnson, With $10–$15 Million Loss Now Forecast

Ridley Scott Blasts Modern Movies as 'Drowning in Mediocrity' at BFI Talk

Daniel Day-Lewis’s ‘Anemone’ Opens in Theaters to Divided Reviews

Shane Black’s Play Dirty Tops Prime Video Charts Despite Middling Reviews

‘One Battle After Another’ Crosses $71 Million Worldwide as PTA’s Biggest Box-Office Hit Nears

Bill Condon Defends Breaking Dawn Finale Choice as Intentional Camp Ahead of Twilight’s 20th-Anniversary Re-Release

V/H/S/Halloween Debuts on Shudder to Mixed Reviews, With Praise for Standout Segments