Set Design Cinematography Visual Effects Costume Design Visual Aesthetics Art Direction Production Designers Visual Style Visual Storytelling Location Scouting Art Directors Guild Wynn Thomas Costumes Props Oscar Winners Awards Character Development Visuals Set Decoration ADG Awards Concept Art Practical Effects Filming Locations Aesthetic Visual Elements Designers Atmosphere in Film Nostalgia Eye-popping Production Design Kazu Hiro Kevin Thompson Shona Heath Maria Djurkovic Makeup and Hair Paul Austerberry Oscar Excellence in Production Design Awards Feature Films Period Feature Film Animated Feature Film Set Construction Homes Oscars Nominations House Building Production Designer's Experience Costume and Cinematography Architectural Inspiration in Film Marvel Films Set Environment Makeup Effects Special Effects Visual Innovation Props and Costumes World Building Director Attention to Detail A24 Historical Drama Aesthetics 1960s Aesthetic Setting Creative Teams Technical Excellence Award Winners Locations Computer-Generated Effects Visual Sensibility Stuart Craig Emerald City Theme Parks Jennifer Spence Shooting Schedule James Price Artists Budgeting Design Process Gothic Romance Technology Production Companies Creative Team Toys 'R' Us Gothic Aesthetics Low-Budget Films Craft Nominations Gothic Style Event Setup Makeup and Costuming Mid-Century Design Authenticity Mid-century Design Historical Films Lighting Techniques War Rig Creature Design Practical Sets Set Building Costume Fitting Color Symbolism Venue Design Oscar Nominations
The recognition crowns a strong awards run for her A24 role ahead of the March 15 ceremony.
