Filmmaking

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Review: Arnaud Desplechin’s Two Pianos Embraces Melodrama

A new review highlights a bold melodrama shaped by ’90s-style camerawork.

Agon Recasts Olympic Stories Through a Stark Fiction–Fact Hybrid

Bruno Dumont’s Red Rocks to World Premiere at Cannes Directors’ Fortnight

Sophy Romvari’s ‘Blue Heron’ Draws Early Praise for Memory‑Driven Drama

Critics Praise Charli XCX in Pete Ohs’ Micro-Budget Erupcja

Nadav Lapid’s ‘Yes’ Opens in U.S. Theaters, Probing Art, Power and Nationalism

Vetri Maaran Critiques 'Hate Propaganda' in Films at 'Neelira' Launch as Online Debate Targets 'Dhurandhar'

‘Magic Hour’ Trailer Debuts as Greenwich Sets May 15 Theatrical Release

Sayani Gupta Makes Directorial Debut With Short Film 'Aasmani'

Cannes La Résidence Selects Six Filmmakers for 51st Paris Session

Netflix Buys Ben Affleck’s InterPositive to Advance Creator‑Led AI for Post‑Production

Inside the 5-Minute IMAX One‑er Lifting ‘Sinners’ in the Oscar Race

Cast Says Improvisation Fueled ‘Sentimental Value,’ Now Nominated for Nine Oscars

‘Pillion’ Opens in France to Strong Reviews After Cannes Screenplay Win

‘The Last Kings of Hollywood’ Recasts Coppola, Spielberg and Lucas as Makers of — and Subjects to — Modern Hollywood

Hong Sangsoo’s “What Does That Nature Say to You” Opens in Theaters Today

Sriram Raghavan Says He Was Unhappy With 'Ikkis' End Disclaimer on Pakistan

Shekhar Kapur Predicts AI-Built Non‑Human Stars, Says Tech Will Slash Filmmaking Costs

Report Says Bhushan Kumar, Vivek Agnihotri Plan Film on 'Operation Sindoor'

Rajkumar Hirani Plans 4–5 Minute AI Short as Learning Experiment