Filmmaking

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‘Magic Hour’ Trailer Debuts as Greenwich Sets May 15 Theatrical Release

The first look frames Katie Aselton’s new feature as a return to her relationship-focused filmmaking with a grief-tinged desert story.

Cannes La Résidence Selects Six Filmmakers for 51st Paris Session

Netflix Buys Ben Affleck’s InterPositive to Advance Creator‑Led AI for Post‑Production

Inside the 5-Minute IMAX One‑er Lifting ‘Sinners’ in the Oscar Race

Cast Says Improvisation Fueled ‘Sentimental Value,’ Now Nominated for Nine Oscars

‘The Last Kings of Hollywood’ Recasts Coppola, Spielberg and Lucas as Makers of — and Subjects to — Modern Hollywood

Hong Sangsoo’s “What Does That Nature Say to You” Opens in Theaters Today

Sriram Raghavan Says He Was Unhappy With 'Ikkis' End Disclaimer on Pakistan

Shekhar Kapur Predicts AI-Built Non‑Human Stars, Says Tech Will Slash Filmmaking Costs

Report Says Bhushan Kumar, Vivek Agnihotri Plan Film on 'Operation Sindoor'

Rajkumar Hirani Plans 4–5 Minute AI Short as Learning Experiment

Berlinale Opens With Shahrbanoo Sadat’s No Good Men as Programming Faces Scrutiny

Janus Films Unveils Trailer for Sergei Loznitsa’s Two Prosecutors, Sets March U.S. Openings

Anurag Kashyap Calls 'Dhurandhar' a Courageous Mainstream Film, Rejects Propaganda Label

Hlynur Pálmason’s The Love That Remains Opens in Limited Theaters

Matt Damon Details Clint Eastwood’s One‑Take Approach on Invictus in New Podcast Interview

Kleber Mendonça Filho Unpacks the Time-Crossing Design of 'The Secret Agent'

Lav Diaz’s Magellan Recasts the Explorer as a Brutal Agent of Conquest

Critics Praise Dardennes’ Young Mothers for Its Intimate, Documentary-Style Power

Jafar Panahi Explains the Covert Casting Behind 'It Was Just an Accident'