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Chloé Zhao Defends Comic-Book Movies at Venice Masterclass

Her Venice masterclass reframed comic-book movies as legitimate emotional storytelling that could attract auteur directors.

Ridley Scott Denies Report He Blamed Paul Mescal for Gladiator II Reception

An American Werewolf in London Still Defines Practical Effects, 45 Years On

Peter Jackson to Return as Director With Long‑Delayed Tintin Sequel

Michael Becomes Highest‑Grossing Music Biopic

Spielberg’s Disclosure Day Opens to Praise for Emily Blunt and Renewed Reappraisal of His Sci‑Fi Canon

Toy Story 5 Premiere Draws Ecstatic Early Reviews

Uwe Boll Returns With Unofficial ‘House of the Dead’ Follow-Up ‘23 Years Later’

Spike Lee Defends ‘Michael’ Biopic’s Omission as Film Surges Past $400 Million

At 15, Fast Five Still Defines Fast & Furious

Post-Oscars Backlash Builds Over Broadcast Choices and Best Picture Winner

Vanity Fair’s Oscars Party Red Carpet Draws Criticism After Influencer Host’s Missteps

‘Crime 101’ Opens to $29.7 Million Worldwide on Holiday Weekend as Strong Reviews Contrast with Soft Start

Michelle Yeoh Criticizes 'Wicked: For Good' Oscar Shutout

Neon Wins U.S. Rights to Sundance Doc ‘Once Upon a Time in Harlem’ After Bidding War

At Sundance, A24’s Undertone Wins Early Praise for Sound—and Draws Some Dissent

Neon Takes Worldwide Rights to Sundance Queer Horror ‘Leviticus’

James Cameron Criticizes Oscars’ Treatment of Sci‑Fi, Citing Villeneuve’s Dune Snubs

Daniel Day‑Lewis Backs Paul Dano as Viral Tarantino–Dano Photo Is Exposed as Fake

‘Silent Night, Deadly Night’ Reboot Builds Buzz With Viral Scene and Early Positive Reviews