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Film Reviews

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Grant Morrison Calls Jason Momoa’s Lobo 'One of the Worst' Film Performances

His Substack post signals creator pushback on DC Studios' recent choices and highlights narrative and casting concerns.

Chloé Zhao Defends Comic-Book Movies at Venice Masterclass

Ridley Scott Denies Report He Blamed Paul Mescal for Gladiator II Reception

An American Werewolf in London Still Defines Practical Effects, 45 Years On

German Netflix Comedy Tops Local Charts as Critics Abroad Call It Mean‑Spirited

Peter Jackson to Return as Director With Long‑Delayed Tintin Sequel

Christopher Nolan’s L’Odyssée Opens in France as Spectacle and Culture‑War Flashpoint

Evil Dead Burn Opens in Latin America and U.S. to Praise for Gore and Technical Craft

Raveena Tandon Says Social Media Has Shrunk Space for Women in Bollywood Comedy

Kriti Sanon Says Ally Is a Distinct Character in Cocktail 2

Michael Becomes Highest‑Grossing Music Biopic

Spielberg’s Disclosure Day Opens to Praise for Emily Blunt and Renewed Reappraisal of His Sci‑Fi Canon

Taylor Swift Surprise Dominates Toy Story 5 Premiere as Early Reviews Praise Jessie Story

Toy Story 5 Premiere Draws Ecstatic Early Reviews

Backrooms: Teen YouTuber’s A24 Thriller Opens to Strong Returns and Divided Reviews

Uwe Boll Returns With Unofficial ‘House of the Dead’ Follow-Up ‘23 Years Later’

Spike Lee Defends ‘Michael’ Biopic’s Omission as Film Surges Past $400 Million

At 15, Fast Five Still Defines Fast & Furious

‘Michael’ Shatters Music-Biopic Records With $97 Million U.S. Debut

‘Michael’ Scores Record $97 Million U.S.–Canada Debut as Global Tally Passes $200 Million