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Film Reviews

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Nolan’s La Odisea Praised for Spectacle as Scholar Says It Is 'Very Conservative'

Scholars focusing on gender, casting choices, fidelity reframe Nolan's non-linear three-hour reworking of Homer's epic

Comète Opens in France as Wajeman’s Minimalist Ensemble

Amazon Drops Guadagnino’s Sam Altman Film

ARTE Broadcast Revives Interest in High Noon’s Real‑Time Drama and Blacklist Allegory

Backrooms Creepypasta Becomes Low‑Budget A24 Box‑Office Hit

Anurag Kashyap Criticises Theatres for Giving Obsession Prime Slots Over Indian Releases

Ewan McGregor Praises Trainspotting After 4K Anniversary Rerelease

Obsession Filmmakers Say Lead’s Single Take Prompted Late Change to Ending

Bleak Week Expands to About 100 Theaters as Fifth Edition Goes Global

Zviaguintsev’s Minotaure Debuts at Cannes as a Political Reworking of Chabrol

Cristian Mungiu’s Fjord Debuts at Cannes With Strong Reviews

Flesh and Fuel Debuts at Cannes Critics’ Week to Warm Early Reviews

We Are Aliens Debuts in Directors’ Fortnight With Acclaim for Animation, Skepticism on Story

Park Chan-wook Sets Cannes Jury Tone With ‘Pure Audience’ Pledge and Rejection of an Art–Politics Divide

Early Reviews Split on Aleshea Harris’s ‘Is God Is’ Ahead of May 15 Release

FilmNation’s Glen Basner to Receive Zurich Summit Game Changer Award

Vimala Pons Steps Into the Spotlight With Two New Films, Including Cannes Opener

Saudi-Backed Epic Desert Warrior Opens to Lukewarm Reviews

Imovision European Film Festival Opens Across Brazil With 14 Premieres

Leyla Bouzid’s À voix basse Opens in France, Confronting Tunisia’s Anti-LGBT Law