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Tarantino Declares Modern Hollywood a 'Flavorless Sausage Factory' and Praises Netflix's The Rip

His Sight & Sound essay signals deep disillusionment with post‑pandemic studio practices.

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Savage House’s Rich Visuals and Lead Performances Can’t Rescue Its Coarse Satire

Guy Ritchie’s ‘In the Grey’ Opens to Exposition-Heavy Reviews

‘The Devil Wears Prada 2’ Tops Italy Box Office With Year’s Best Opening Day

Sukkwan Island Opens in France With Chilling Father–Son Drama

Vivaldi et Moi Puts a Young Violinist at the Heart of Damiano Michieletto’s Film Debut

Fuze Opens in Theaters With High-Concept Thrills and Split Verdicts

‘La Poupée’ Review: Strong Performances, Safe Choices in Sophie Beaulieu’s Debut

Ram Gopal Varma Disputes ‘Dhurandhar 2’ Dawood Ibrahim Portrayal Despite High Praise

Pedro Almodóvar Questions Jacob Elordi’s Acting Range

Mrunal Thakur Says Trust Was Shaken by Son of Sardaar 2 Casting, Scene Cuts

Prem Chopra Recalls Rajesh Khanna’s Private Struggle as Amitabh Bachchan Rose

Gus Van Sant’s ‘La Corde au Cou’ Earns Praise as a Tense True-Crime Return

Carla Simón’s Romería Opens in France to Warm Reviews

Claire Denis’s Le Cri des gardes Draws One-Star Pan From Le Nouvel Obs

Hrithik Roshan Defends VFX Ambition, Admits 'War 2' Had Physics Flaws

Gabriel Mascaro’s The Blue Trail Opens in Theaters

Sharon Stone Says She Now Skips TV Sex Scenes, Citing 'Blatant, Harsh' Depictions

Pif’s Faith-Themed Comedy Opens in Italy, Draws Early Pan From Il Fatto Quotidiano

Benm’Barek’s ‘Derrière Les Palmiers’ Opens in France, Probing Power and Desire in Tangier