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Cannes Spotlights Vichy Collaboration in Emmanuel Marre’s Notre salut

The film’s Cannes screening signals a renewed public reckoning over how ordinary bureaucrats helped the Vichy regime carry out wartime crimes.

Sara Ishaq’s The Station Premieres in Cannes Critics’ Week

Lisandro Alonso Unveils 'Double Freedom' at Cannes as Sequel to His 2001 Breakthrough

Blerta Basholli’s Dua Bows at Cannes Critics’ Week to Mixed Reviews

Vincent Garenq’s ‘L’Abandon’ Recreates Samuel Paty’s Final Days With Near-Documentary Precision

Review: Arnaud Desplechin’s Two Pianos Embraces Melodrama

Emerald Fennell’s ‘Wuthering Heights’ Hits HBO Max After Divisive Theatrical Run

Mardaani 3 Extends Netflix Streak to 30 Days as Rani Mukerji Hails Female-Led Stories

SFFILM Opens at Revived Castro With Olivia Wilde’s ‘The Invite’ and Greta Lee’s ‘Late Fame’

Huppert Shines in Klifa’s ‘Die reichste Frau der Welt,’ a Sharp Take on Power and Desire

TikTok Buzz Revives 2014 Horror ‘As Above, So Below’ on Prime Video

François Ozon’s The Stranger Arrives With a Sharper Colonial Focus

The Drama’s Release Spurs Divided Response Over A24 Marketing and Sensitive Content

‘Love Story’ Finale Rekindles Accuracy and Ethics Debate Over JFK Jr. and Carolyn Bessette Drama

MUBI Debuts First Trailer for Rosebush Pruning With U.S. Release Planned Later This Year

Radu Jude’s ‘Kontinental ’25’ Is a Wry, Restrained Study of Guilt

‘Something Familiar’ Review: Rachel Taparjan’s Personal Documentary Moves Even as Its Form Feels Forced

Fatih Akin’s ‘Amrum’ Drops Trailer, Sets U.S. Dates for April Release

Train Dreams Draws Awards Attention With Four Oscar Nods on Netflix

Bi Gan’s ‘Resurrection’ Sets Criterion Channel Debut March 24, Physical Release April 21