Film ❯ Film Analysis

Directors

Jafar Panahi Paul Thomas Anderson Luca Guadagnino Kelly Reichardt Kathryn Bigelow Quentin Tarantino Lucile Hadžihalilović Paolo Sorrentino Kleber Mendonça Filho Pedro Almodóvar Spike Lee Wes Anderson Oliver Laxe Joachim Trier Radu Jude Christian Petzold Julia Ducournau Brian De Palma Guillermo del Toro Cherien Dabis Richard Linklater Angela Schanelec Bi Gan Christopher McQuarrie Gabriele Muccino Akira Kurosawa Milagros Mumenthaler Olivier Assayas Celine Song Mark Jenkin Hlynur Pálmason Nadav Lapid Jia Zhangke Ari Aster Rebecca Lenkiewicz Andrea Arnold Edward Yang Mascha Schilinski Pierre Schoeller Clint Eastwood László Nemes Giorgos Lanthimos Steve McQueen Ali Abbasi Claire Denis Yorgos Lanthimos Brady Corbet Béla Tarr Akinola Davies, Jr. Eva Victor Wolfgang Becker Agnieszka Holland Sergueï Loznitsa Ildiko Enyedi Jim Jarmusch Jean-Luc Godard Payal Kapadia Miguel Gomes Joshua Oppenheimer RaMell Ross Paul Schrader Walter Salles Magnus von Horn David Lynch Robert Guédiguian Tom Tykwer Hong Sangsoo Maura Delpero

Angela Schanelec’s ‘My Wife Cries’ Premieres in Berlinale Competition, Seeking U.S. Distribution

Festival reviews cite formal rigor alongside concerns about cohesion.

‘All That’s Left of You’ Opens in Theaters as Jordan’s Shortlisted Oscar Entry

Kelly Reichardt’s The Mastermind Opens, Drawing Praise for Josh O’Connor and Its Anti-Heist Approach

After the Hunt Stumbles at the Box Office as Reviews Split

‘After the Hunt’ Draws Polarized Reviews as Guadagnino Stands by Its Unresolved Truth

Kelly Reichardt’s The Mastermind Opens, Turning the Heist Genre Inside Out

“It Was Just an Accident” Opens in U.S. After Covert Shoot in Iran

Lucile Hadžihalilović’s The Ice Tower Opens in Select Theaters

‘Snake Eyes’ Conspiracy Around Charlie Kirk’s Killing Surges Online Despite Key Refutation

Claire Denis’ ‘The Fence’ Bows at TIFF as Reviews Weigh Atmosphere Against Theatricality

At TIFF, Panahi’s Palme d’Or Winner ‘It Was Just an Accident’ Tests the Ethics of Revenge

Mark Jenkin’s Rose of Nevada Bows in Venice to Strong Early Reviews

Spike Lee’s ‘Highest 2 Lowest’ Trades Tension for a Lush New York City Ramble

László Nemes’ Orphan Premieres in Venice Competition as Director Emphasizes Humanist Cinema

Assayas’s Suspended Time Garners Mixed Reviews Ahead of U.S. Release

Ari Aster Frames ‘Eddington’ as a Modern Western Ahead of July Release

Kelly Reichardt’s 'The Mastermind' Receives Acclaim at Cannes Premiere

Nadav Lapid’s 'Yes!' Premieres at Cannes, Provoking Praise and Controversy

‘The Secret Agent’ Screens at Cannes, Showcasing Kleber Mendonça Filho’s Genre-Bending Vision