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Julianne Moore Shines in Jesse Eisenberg’s ‘The Debut’ at Telluride

Telluride enthusiasm signals awards potential ahead of A24’s December release.

The Row Premieres at Telluride With Intense Onboard Footage

Green Day‑Backed Film Nimrods Opens With Heartfelt Lead and a Divisive Final Act

Night Nurse Wins Praise for Its Leads and Style but Divides Critics

Edward Burns’ Finnegan’s Foursome Debuts on VOD After Tribeca Run

I Am Frankelda Is Mexico's First Stop‑Motion Feature

Norwegian Eco‑Horror 'Kraken' Debuts to Praise for Visuals and Criticism for Story

Viva Carmen Premieres at Cannes as Laudenbach Recasts Bizet for Young Audiences

We Bury the Dead Opens in U.S. Theaters With a Grief-Driven Take on Zombies

‘Little Trouble Girls’ Opens in New York to Strong Early Reviews

Eternity Hits U.K. Theaters As Audience Buzz Builds And Streaming Timeline Emerges

Trap House Opens Friday, With Critics Praising Bautista and Questioning the Tone

Kelly Reichardt's The Mastermind Reframes the Heist Film as a Melancholic Character Study

Janus Films Sets December 12 U.S. Release for Bi Gan’s ‘Resurrection’ After Teaser Debut

Sundance-Winning Plainclothes Opens in Theaters

Lily James’ ‘Swiped’ Debuts at TIFF Ahead of Sept. 19 Hulu/Disney+ Release

Soderbergh’s The Christophers Premieres at TIFF, Spotlighting McKellen and Coel

Jim Hosking’s ‘Ebony and Ivory’ Divides Critics with Surreal Parody

‘Dangerous Animals’ Earns 90% on Rotten Tomatoes by Shifting the Threat from Sharks to Humans