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Critics

Michael Sommers Performance Analysis Melissa Rose Bernardo Chris Jones New York Theatre Reviews Weather Girl Saturday Church Frank Scheck Can I Be Frank? Performances Off-Broadway Gender Bias in Criticism Publications

6 ARTICLES

3mo ago

Wasserstein Revival at Signature Falters Over Lead Casting and Patchwork Script

Critics say the company founder playing the lead together with a cobbled‑together script left the production structurally uneven and weakened its bid to reframe the play.

9 ARTICLES

3mo ago

RSC’s Game of Thrones: The Mad King Debuts to Strong Reviews in Stratford

5 ARTICLES

3mo ago

Disruption Opens Off-Broadway With Strong Cast but Uneven Take on Algorithms

5 ARTICLES

3mo ago

Bubba Weiler’s The Saviors Opens Off‑Broadway to Strong Praise for Its Age‑Authentic Cast

3 ARTICLES

4mo ago

Can I Be Frank? Opens at SoHo Playhouse to Strong Critical Acclaim

Critics

Wasserstein Revival at Signature Falters Over Lead Casting and Patchwork Script

RSC’s Game of Thrones: The Mad King Debuts to Strong Reviews in Stratford

Disruption Opens Off-Broadway With Strong Cast but Uneven Take on Algorithms

Bubba Weiler’s The Saviors Opens Off‑Broadway to Strong Praise for Its Age‑Authentic Cast

Erica Murray’s The Loved Ones Opens at Irish Rep to Warm Reviews

Girl, Interrupted Opens at the Public Theater to Divided Reviews

Jerome Opens Off-Broadway With Praised Cast and Questioned Script

Kenrex Opens Off-Broadway With Olivier-Winning Solo Turn

‘The Adding Machine’ Opens at The New Group’s New Home to Mixed Reviews

Jordan E. Cooper’s Oh Happy Day! Opens at the Public Theater to Divided Reviews

Weather Girl Opens Off-Broadway to Strong Notices at St. Ann's Warehouse

Ashland Avenue Opens at Goodman to Warm Notices and Calls for Cuts

Can I Be Frank? Opens at SoHo Playhouse to Strong Critical Acclaim