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Motor City Gives Alan Ritchson a Near‑Silent Revenge Thriller

The film's minimal dialogue with a music-driven sound design tests a bold cinematic gamble that could shape opening-weekend interest.

Angelina Jolie’s Couture Opens in U.S. with Strong Lead and Mixed Reviews

Richard Linklater to Receive Zurich Film Festival’s Career Achievement Golden Eye

Evil Dead Wrath Set in 1972, Production Reportedly Wrapped

Mollywood Times Divides Critics with a Thrilling First Half and a Bloated Second Act

Micro‑Budget Horror 'Obsession' Crosses $100 Million Worldwide

Carolina Caroline Opens to Praise for Leads and ’70s-Style Mood

Passenger's Style Outshines Its Script

Mysius’ The Birthday Party Debuts at Cannes to Strong Applause and Split Reviews

Dumont’s Red Rocks Divides Cannes With Sunlit, Child‑Eye Drama

At Cannes, Arthur Harari’s ‘The Unknown’ Wins Praise for Seydoux as Critics Debate Pacing and Gender Themes

DC Trailer Debuts at Cannes, Spotlighting Lokesh Kanagaraj’s First Lead Role

Joe Begos to Write and Direct Violent Zorro Reimagining for WTFilms

Early Reviews Lift Obsesión, Curry Barker’s Low-Budget Horror-Comedy Breakout

Exit 8 Reaches Argentine Theaters as Critics Weigh Its Game-Born Horror

Cannes Opens With 'The Electric Kiss' as Critics Find an Uneven Rom-Com

Bruno Dumont’s Red Rocks to World Premiere at Cannes Directors’ Fortnight

Mike & Nick & Nick & Alice Draws Mixed Reviews After Streaming Debut

They Will Kill You Debuts to Strong Zazie Beetz Notices and Mixed Verdicts on Execution

Aadu 3 Starts Strong With Added Shows as Tracker Figures Diverge