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DAU Premieres at Venice as Ukraine Objects to Its Russian Links

The screening raises questions about the project's past funding, festival responsibilities, political signaling.

Everytime Wins Un Certain Regard and Opens in German Theaters

Del Toro Rules Out AI for Pan’s Labyrinth 20th‑Anniversary 3D Re‑Release

Guillermo del Toro Warns Generative AI Threatens Cinema at BFI Fellowship

Mysius’ The Birthday Party Debuts at Cannes to Strong Applause and Split Reviews

Guillermo del Toro Debuts Skeleton‑Crew Patrón Tequila Ad in Global ‘Perfect Pour’ Launch

Nadav Lapid’s Yes Unveils Trailer Ahead of March 27 U.S. Theatrical Launch

Kelly Reichardt’s 'The Mastermind' Opens in France With a Quiet Anti-Heist Turn

Sho Miyake’s ‘Jusqu’à l’aube’ Arrives in French Theaters Jan. 14 After Warm Early Reviews

Die, My Love Opens in Germany as Critics Hail Jennifer Lawrence

Newcomer Llúcia Garcia Leads Carla Simón’s 'Romería' Without Seeking the Spotlight

Mark Jenkin’s Rose of Nevada Bows in Venice to Strong Early Reviews

Las Vegas Sphere Unveils AI-Powered 4D Wizard of Oz Experience

Jafar Panahi Wins Palme d'Or at 78th Cannes Film Festival

Darren Aronofsky's Primordial Soup Partners with Google DeepMind on AI-Assisted Filmmaking

Le Journal du Dimanche Highlights Diverse Film Reviews in Latest Weekly Selection

Robert Eggers' 'Nosferatu' Film Inspires Unique Perfume Collaboration

Margot Robbie Stars in New Chanel No. 5 Campaign with Jacob Elordi

Revisiting Ancient Divisions: 'Legend of Destruction' Gains New Relevance