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Rupert Grint Returns to Film at Berlinale With Finnish Horror 'Nightborn'

The actor presents the Finnish horror as a deliberate break from his Potter image.

‘Crime 101’ Opens to Strong Early Reviews for Hemsworth–Ruffalo Heist Throwback

Verbinski’s ‘Good Luck, Have Fun, Don’t Die’ Opens as Anti-AI Satire Draws Mixed Early Reviews

'Mouse' Draws Strong Berlinale Buzz in Panorama as CAA Shops U.S. Rights

Ten Years Later, Deadpool’s Breakout Still Shapes Marvel and the Superhero Genre

Early Reviews Set the Stage for Verbinski’s Good Luck, Have Fun, Don’t Die Ahead of Feb. 13 Release

Luc Besson’s Dracula Opens in U.S. With Mixed Reviews and Modest Start

Michael Shannon to Lead Doctor Caligari’s Cabinet of Wonders From the Dowdle Brothers

Luc Besson’s ‘Dracula’ Opens Friday With a Romantic Reimagining Led by Caleb Landry Jones

Acolyte Art Book Reveals Unseen Creative Plans for the Canceled Star Wars Series

Sundance Winner 'Josephine' Earns Strong Reviews for Its Child's‑Eye Portrayal of Trauma

James Wan and Leigh Whannell Reunite to Steer New ‘Saw’ Back to Its Roots

Sundance Breakout 'If I Go Will They Miss Me' Draws Praise for Visual Boldness and Danielle Brooks

‘The Rip’ Stays No. 1 on Netflix in Week Two With 40.4 Million Views

James Wan Plans Return-to-Roots Overhaul for 'Saw XI'

Andrew Stanton’s ‘In the Blink of an Eye’ Wins Sundance’s Sloan Prize, Hulu Debut Set for Feb. 27

Sam Raimi’s Send Help Draws Strong Early Reviews Ahead of Jan. 30 Release

‘Return to Silent Hill’ Stumbles in U.S. as China Lifts Opening, Sequel Prospects Dim

‘Sirât’ Lands Best International and Sound Oscar Nominations

Return to Silent Hill Opens to Harsh Reviews as Gans Defends His Approach