Film ❯ Film Analysis

Directors

Jafar Panahi Kathryn Bigelow Paul Thomas Anderson Luca Guadagnino Kelly Reichardt Paolo Sorrentino Lucile Hadžihalilović Wes Anderson Pedro Almodóvar Spike Lee Oliver Laxe Joachim Trier Radu Jude Christian Petzold Kleber Mendonça Filho Julia Ducournau Brian De Palma Guillermo del Toro Quentin Tarantino Cherien Dabis Hong Sangsoo Maura Delpero Sergueï Loznitsa Christopher McQuarrie Agnieszka Holland Akira Kurosawa Ildiko Enyedi Richard Linklater Olivier Assayas Celine Song Mark Jenkin Hlynur Pálmason Nadav Lapid Jia Zhangke Ari Aster Rebecca Lenkiewicz Clint Eastwood Edward Yang Steve McQueen Mascha Schilinski Pierre Schoeller Ali Abbasi László Nemes Giorgos Lanthimos Yorgos Lanthimos Brady Corbet Claire Denis Jim Jarmusch Béla Tarr Milagros Mumenthaler Bi Gan Wolfgang Becker Eva Victor Andrea Arnold Payal Kapadia Miguel Gomes Joshua Oppenheimer RaMell Ross Paul Schrader Walter Salles Magnus von Horn David Lynch Robert Guédiguian Tom Tykwer

‘All That’s Left of You’ Opens in Theaters as Jordan’s Shortlisted Oscar Entry

Early reviews praise its sweeping craft alongside powerful performances.

Kelly Reichardt’s The Mastermind Opens, Drawing Praise for Josh O’Connor and Its Anti-Heist Approach

After the Hunt Stumbles at the Box Office as Reviews Split

‘After the Hunt’ Draws Polarized Reviews as Guadagnino Stands by Its Unresolved Truth

Kelly Reichardt’s The Mastermind Opens, Turning the Heist Genre Inside Out

“It Was Just an Accident” Opens in U.S. After Covert Shoot in Iran

Lucile Hadžihalilović’s The Ice Tower Opens in Select Theaters

‘Snake Eyes’ Conspiracy Around Charlie Kirk’s Killing Surges Online Despite Key Refutation

Claire Denis’ ‘The Fence’ Bows at TIFF as Reviews Weigh Atmosphere Against Theatricality

At TIFF, Panahi’s Palme d’Or Winner ‘It Was Just an Accident’ Tests the Ethics of Revenge

Mark Jenkin’s Rose of Nevada Bows in Venice to Strong Early Reviews

Spike Lee’s ‘Highest 2 Lowest’ Trades Tension for a Lush New York City Ramble

László Nemes’ Orphan Premieres in Venice Competition as Director Emphasizes Humanist Cinema

Assayas’s Suspended Time Garners Mixed Reviews Ahead of U.S. Release

Ari Aster Frames ‘Eddington’ as a Modern Western Ahead of July Release

Kelly Reichardt’s 'The Mastermind' Receives Acclaim at Cannes Premiere

Nadav Lapid’s 'Yes!' Premieres at Cannes, Provoking Praise and Controversy

‘The Secret Agent’ Screens at Cannes, Showcasing Kleber Mendonça Filho’s Genre-Bending Vision