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You Can See Everything Tops Expectations With Rare Second‑Weekend Gain

Redefining documentary form through embedded access, reenactments and an actor’s presence, the film prompts awards speculation and ethical questions about consent and profit arrangements.

Overview

  • The A24 documentary widened from 855 to about 2,655 theaters and earned $19.5 million in its second weekend, lifting its domestic total to roughly $45.1 million and making it one of this year’s biggest nonfiction box‑office performers.
  • Directors Nathan Fielder and Lance Oppenheim built the film around unusually intimate, embedded access to Elizabeth Holmes in 2023 and later layered staged reenactments and a visible filmmaker presence to blur documentary form.
  • Amanda Seyfried appears as herself and performs reenactments of Holmes, and A24 is submitting her for awards consideration, an unusual campaign that has intensified awards‑season buzz.
  • Filmmakers have disclosed production details that include a pre‑shoot 'kill switch' with A24 and a director’s account that Holmes’s partner Billy Evans volunteered to be filmed nude, while reporting has also raised questions about an alleged profit‑share deal tied to access.
  • The film, produced for about $7 million, is moving to international festivals including IDFA, Stockholm and Torino and is likely to shape debates about documentary ethics, subject consent and how nonfiction films are campaigned for awards.