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Werther’ Returns to Teatro Colón With Warm Reviews and Music-First Staging

Reviews highlight Massenet's score, with a pared-back 1930s design keeping focus on the voices.

Los protagonistas de "Werther". La soprano Annalisa Stroppa y el tenor Jean François Borras. Foto: Prensa Teatro Colón / Juanjo Bruzza
Una de las escenas dramáticas de la obra lírica basada en la Goethe
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Overview

  • The new production opened on August 24 in Buenos Aires to strong applause, marking the work’s return to the house after a decade.
  • Rubén Szuchmacher directs and Ramón Tebar conducts, with Jorge Ferrari’s minimal sets and Gonzalo Córdova’s lighting shaping the visual palette.
  • Critics noted a restrained 1930s atmosphere and sparse movement that place musical and vocal expression at the forefront.
  • Eight performances run through early September with alternating casts led by Jean‑François Borras and Annalisa Stroppa, with Arturo Chacón‑Cruz featured in the second cast and a September 3 show reserved for under‑30 audiences.
  • Reviews praised the orchestra and singers despite occasional balance and intonation slips, while raising familiar questions about the final act’s plausibility.