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Warfare’ Earns Acclaim for Unflinching Realism in Depicting Urban Combat

Alex Garland and Ray Mendoza’s minimalist war film immerses audiences in the visceral chaos of a 2006 Navy SEAL mission in Iraq.

Alex Garland’s Warfare is “not interested in thrilling or entertaining us”, our critic writes

Overview

  • Warfare’ presents a hyper-realistic portrayal of a botched Navy SEAL mission in Ramadi, Iraq, based on Ray Mendoza’s firsthand memories.
  • The film rejects traditional war-movie conventions, offering no character backstories, musical cues, or political framing, focusing solely on the raw, lived experience of combat.
  • Nearly half the film unfolds in tense, agonizing anticipation before erupting into disjointed and horrifying violence, emphasizing the psychological toll of waiting in war.
  • Glenn Freemantle’s sound design amplifies the immersive intensity, prioritizing ambient audio to convey the disorientation and dread of urban warfare.
  • The film concludes with a stark depiction of war’s unresolved human cost, lingering on the aftermath for an Iraqi family whose home has been destroyed.