Overview
- The show marshals orchestra and choirs for a large-scale Christmas staging titled “Proprietà Privata — Die Influencer Gottes kommen.”
- Critics single out Sophie Rois’s turn as Saint Francis, noting poised performance and elegant singing.
- Satirical figures such as a scolding Pope and a lecturing raven press on questions of property, power and faith.
- Reviews frame the evening as a self-aware Volksbühne ritual that blends sacred imagery with leftist heritage at Rosa-Luxemburg-Platz.
- Notable touches include Christine Groß in the pulpit, Brecht/Eisler references with a “Kuhle Wampe” clip, and the appearance of a live donkey.