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Vintage Violence Debuts at TIFF’s Midnight Madness

Critics praise the film’s kinetic mixed‑media style while also calling its tone uneven and its barrage of visual techniques overwhelming.

Overview

  • Eugene Kotlyarenko’s Vintage Violence premiered in TIFF’s Midnight Madness this week and is now seeking distribution with WME handling U.S. sales.
  • The film follows an American livestreamer who travels to Tokyo over a haul of vintage Levi’s and becomes entangled in a violent Yakuza caper without revealing plot twists or endings.
  • Reviewers consistently note the film’s aggressive blend of traditional cinematography and screenlife techniques, including rapid cuts, split screens, vertical livestream footage, and a memorable Bluetooth earbud tracking chase.
  • Critics applaud the chemistry between Cole Sprouse and Kiko Mizuhara and the work of cinematographer Sean Price Williams and editors Tucker Bennett and Sabrina Greco, while faulting the picture for overstimulation, uneven comedy about cultural clash, and a lack of lasting thematic depth.
  • The TIFF run has generated festival buzz that could boost Kotlyarenko’s move toward wider mainstream attention, with potential buyers now weighing how the film’s bold style and mixed reviews will affect its commercial prospects.