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UK Critics Hail Eva Victor’s ‘Sorry, Baby’ for Its Restrained Portrayal of Assault

Victor’s feature debut uses long, fixed takes to keep the assault off screen, foregrounding survivor perspective.

Overview

  • New reviews from the New Statesman and the Independent praise Eva Victor as writer‑director‑star of a debut that resists a conventional trauma arc.
  • The film centers on Agnes, a college professor processing a sexual assault, with the alleged perpetrator identified as her former professor Preston Decker.
  • Key sequences unfold in extended, static shots that maintain distance from the act itself and convey dissociation and its aftermath.
  • Critics highlight a focus on recovery through friendship, small acts of care and tonal subtlety that blends humor with tenderness.
  • A24’s release reaches UK cinemas on 22 August, with performances from Naomi Ackie, Louis Cancelmi, Lucas Hedges and John Carroll Lynch drawing commendation.