Overview
- The Wiesbaden episode Murot und der Elefant im Raum aired on December 28 and centers on a fictional procedure that lets investigators enter a comatose mother’s inner images to help find her child, written and directed by Dietrich Brüggemann.
- Live reactions on social media skewed negative, with complaints about confusing, unrealistic elements as well as gripes over pacing, tone and sound mix.
- Supporters praised the ambition and Ulrich Tukur’s performance, placing the film within the series’ auteur-driven Murot strand that previously bent form in 2019’s Murmeltier.
- Science coverage noted that a machine to walk through another person’s subconscious has no current basis in neuroscience and should be viewed as a fictional device.
- The backlash followed viewer criticism of the December 26 Munich theater-set installment, underscoring a broader public‑broadcasting debate over license-fee programming and experimental formats.