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Stephen Rea’s 'Krapp’s Last Tape' at Barbican Draws Mixed Critical Response

The minimalist production directed by Vicky Featherstone pairs Rea’s 2009 recordings with his live performance, exploring themes of memory and self-division.

Stephen Rea in Krapp’s Last Tape

Overview

  • Stephen Rea reprises Samuel Beckett’s 'Krapp’s Last Tape' at the Barbican, using recordings he made in 2009 to contrast with his live Irish-accented performance.
  • The production, directed by Vicky Featherstone, originally premiered in Dublin in 2024 before transferring to the Barbican in May 2025.
  • Critics praise the minimalist staging, featuring just a desk, lamp, recorder, tapes, and dictionary, as well as the stark lighting that creates a claustrophobic atmosphere.
  • Rea’s performance is lauded for its disciplined and sardonic tone but criticized by some for lacking the emotional depth needed to fully capture Beckett’s existential themes.
  • The contrast between Rea’s recorded English accent and live Irish accent underscores the play’s exploration of memory, identity, and the fractured self.