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Sherald’s Trans Forming Liberty Features on New Yorker Cover After Smithsonian Exhibition Withdrawal

Her decision to pull the Smithsonian show over threats of removing the painting has spurred renewed scrutiny of political pressure on curatorial autonomy.

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Overview

  • The New Yorker’s August 11 issue features Sherald’s “Trans Forming Liberty,” a portrait of trans model and performance artist Arewà Basit as the Statue of Liberty.
  • Sherald withdrew the planned National Portrait Gallery segment of her American Sublime survey in late July after learning officials had discussed removing the work.
  • A Smithsonian spokesperson said the institution aimed to contextualize rather than replace the painting, while the White House labeled it a divisive reinterpretation of a national symbol.
  • Sherald’s American Sublime exhibition at the Whitney Museum of American Art continues through August 10 and includes her notable grayscale portraits of figures such as Michelle Obama.
  • The incident has reignited discussion over Smithsonian’s curatorial freedom following a Trump administration executive order targeting allegedly “divisive” museum content.