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Scottish Ballet’s Mary, Queen of Scots Draws Surreal Praise Ahead of Scotland Tour

The production reframes Mary’s fate through an ailing Elizabeth I’s fractured memories, combining minimalist punk design with a live electro-acoustic score.

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From left: Roseanna Leney as Mary with Hannah Cubitt, Alice Kawalek, Melissa Polson and Danila Marzilli in Scottish Ballet’s Mary, Queen of Scots

Overview

  • The final Edinburgh International Festival performances run through August 17 at Festival Theatre before the production embarks on a Scotland-wide tour.
  • Choreographer Sophie Laplane and director James Bonas use Elizabeth I’s moribund perspective to craft a hallucinatory Tudor rivalry in two acts.
  • Design by Soutra Gilmour blends Tudor motifs with punk minimalism while a live score by Mikael Karlsson and Michael P. Atkinson fuses folk textures and electronics.
  • Critics note that Act I’s extensive scene-setting hinders momentum but praise the second act’s surreal tableaux and emotional clarity.
  • Standout performances include Kayla-Maree Tarantolo’s nimble Jester, Charlotta Öfverholm’s frail, elder Elizabeth and Harvey Littlefield’s looming young monarch.