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Retrospectives Spotlight Guru Dutt’s Trailblazing Heroines

The latest Filmfare and India Today retrospectives reveal Dutt’s female leads driving the emotional core of his mid-20th-century classics, challenging gender norms.

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Overview

  • Filmfare’s July 9 feature profiles six key heroines—from Maria’s redemptive faith in Jaal (1952) to Jabba’s modern outlook in Sahib Bibi Aur Ghulam (1962)—as central moral and narrative forces.
  • India Today’s visual story expands the lineup to seven characters, including Leena’s survival instincts in a gambling underworld and Nisha’s defiance as a freedom-struggle fighter.
  • Gulabo and Meena in Pyaasa (1957) are highlighted for embodying empathy toward a scorned poet and the pragmatic sacrifices women made under patriarchal pressures.
  • Shanti’s silent withdrawal in Kaagaz Ke Phool (1959) is presented as an act of strength equal to her male counterpart’s, while Chhoti Bahu’s tragic dignity underscores the cost of unspoken desires.
  • Critics agree these layered portrayals granted Guru Dutt’s women agency and psychological depth, offering subtle commentary on mid-20th-century gender and social norms.