Ramon Zürcher's 'Der Spatz im Kamin' Concludes Animal Trilogy with Familial Horror

The film explores the complexities of family dynamics through a blend of surrealism and reality, revealing deep-seated traumas and tensions.

‘Der Spatz im Kamin’ is the final installment in Ramon Zürcher's trilogy, following ‘Das merkwürdige Kätzchen’ and ‘Das Mädchen und die Spinne’.
The film is set in a seemingly idyllic house that becomes the stage for a tense family drama filled with verbal and emotional violence.
Central to the story is Karen, a mother portrayed by Maren Eggert, whose strained relationships with her family members drive the narrative.
The film uses surreal elements, such as talking animals and absurd situations, to highlight the underlying horror and absurdity of the family's interactions.
Critics note the film's unique style, combining elements of horror and comedy, and its exploration of themes like transgenerational trauma and the search for freedom.