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Primetime Opens Sept. 25 After Venice Praise, Hansen Objects

Festival acclaim for Robert Pattinson has collided with Chris Hansen’s public objections and pre-release legal steps, raising questions about likeness rights and dramatizing real people.

Overview

  • Primetime, A24’s dramatized film inspired by Luke Dittrich’s Esquire reporting, opened in U.S. theaters on Sept. 25 after strong festival screenings including Venice.
  • Critics widely praised Robert Pattinson’s unnerving turn as a fictionalized Chris Hansen and highlighted the film’s surreal, darkly comic style that interrogates media performance.
  • The film revisits the methods and harms of To Catch a Predator by humanizing targets and resurfacing the 2006 case that led to a death, a lawsuit and the show’s eventual cancellation.
  • Chris Hansen publicly rejected the depiction, declined a studio preview NDA, bought preshow ads for his TruBlu service and has consulted lawyers, but no lawsuit has been filed.
  • The clash between the film’s awards momentum and Hansen’s objections spotlights broader issues about using living figures in dramatizations and could drive further publicity or legal scrutiny.