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On Swift Horses’ Opens to Mixed Reviews Highlighting Strong Performances and Flawed Execution

The 1950s queer drama, praised for its cast led by Daisy Edgar-Jones, faces criticism for heavy-handed symbolism and uneven pacing.

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Overview

  • The film, directed by Daniel Minahan and adapted from Shannon Pufahl’s novel, explores hidden desires and queer identity in postwar America.
  • Daisy Edgar-Jones receives acclaim for her nuanced portrayal of Muriel, while Jacob Elordi and Diego Calva’s performances garner mixed feedback.
  • Critics highlight the film’s atmospheric period detail but note its reliance on clunky metaphors, such as atomic bomb tests and a horse, to convey themes of repression.
  • The dual narrative structure interweaves Muriel’s suburban gambling and flirtation with Julius’s Las Vegas romance, though some reviewers find the focus uneven.
  • Despite its thematic ambitions and standout moments, the film's pacing and execution have been described as inconsistent by reviewers.