Overview
- ‘Yes!’ by Nadav Lapid debuted at Cannes Directors’ Fortnight, presenting a scathing satire of Israel’s political and social landscape after the October 7th attacks.
- The film follows a young couple navigating hedonistic self-destruction while critiquing a nation shaped by violence, wealth, and zealotry.
- Scenes feature real footage of Gaza burning and a fictional patriotic hymn inspired by the Civic Front’s reimagined Hareut, amplifying its provocative tone.
- Lapid’s expressionistic approach juxtaposes personal trauma with political turmoil, creating a highly stylized portrayal of national identity and propaganda.
- The Israeli Film Fund’s backing of the film, despite its critical stance, has reignited debates over the role of state funding in politically charged art.