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Nadav Lapid’s ‘Yes!’ Premieres at Cannes with Bold Critique of Post-October 7th Israel

The film’s confrontational style, real war imagery, and state funding spark polarized reactions at its debut.

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Nadav Lapid in Paris

Overview

  • Yes!’ by Nadav Lapid debuted at Cannes Directors’ Fortnight, presenting a scathing satire of Israel’s political and social landscape after the October 7th attacks.
  • The film follows a young couple navigating hedonistic self-destruction while critiquing a nation shaped by violence, wealth, and zealotry.
  • Scenes feature real footage of Gaza burning and a fictional patriotic hymn inspired by the Civic Front’s reimagined Hareut, amplifying its provocative tone.
  • Lapid’s expressionistic approach juxtaposes personal trauma with political turmoil, creating a highly stylized portrayal of national identity and propaganda.
  • The Israeli Film Fund’s backing of the film, despite its critical stance, has reignited debates over the role of state funding in politically charged art.