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Michael Urie Leads Red Bull’s Disco-Tinged Richard II to Mixed Early Reviews

Early notices spotlight a queer lens, nightclub aesthetics, a reordered Pomfret soliloquy, a flashback frame.

Overview

  • Red Bull Theater’s revival opened Nov. 10 at the Astor Place Theatre and is scheduled to run through Dec. 14.
  • Director-adapter Craig Baldwin resets the play in a quasi-1980s world, framing the action as flashback and keeping Richard onstage as a constant observer.
  • The production moves Richard’s Act V Pomfret monologue to the opening, staging Urie inside a clear box that doubles as prison, platform, club and sauna.
  • Design choices include disco-era cues, an Eurythmics “Sweet Dreams” motif, and gender-conscious casting with Kathryn Meisle as a reimagined Duchess of York.
  • Critical response is divided, with some praising Urie’s clarity and the taut deposition scene while others fault his showiness and argue the concept drains the play of majesty.