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Michael J. Fox’s ‘Future Boy’ Details 20-Hour ‘Back to the Future’ Nights and Meeting With Eric Stoltz

The memoir updates decades-old production lore with specific, firsthand accounts from Fox.

Overview

  • Published October 14 by Flatiron Books and coauthored with Nelle Fortenberry, Future Boy centers on Fox’s 1985 balancing act and arrives as the film’s 40th anniversary is celebrated.
  • Fox recounts working roughly 20-hour days, performing Family Ties by day and shooting Back to the Future by night with only a few hours of sleep.
  • He vividly describes the nightly commute over the Cahuenga Pass and explains his approach to learning dialogue by absorbing scenes rather than memorizing lines.
  • Fox reveals he contacted Eric Stoltz, who declined to participate in the book but met privately in 2024; the two shared an amicable conversation and have since kept up friendly correspondence.
  • He writes about creative friction with Crispin Glover, including a crew-built ‘miniature corral’ to keep blocking on track, and he confirms the mid-production recast of Marty McFly and the nighttime schedule compromise previously described by producer Bob Gale.