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Mark Jenkin’s Rose of Nevada Premieres in Venice’s Orizzonti as a Time‑Slip Horror Led by George MacKay and Callum Turner

Early reviews describe a darker genre turn shaped by Jenkin’s hand‑made 16mm approach.

Overview

  • The film debuted in competition at the Venice Film Festival’s Orizzonti section on August 30.
  • Set in a Cornish fishing village, the story follows a mysteriously returned trawler whose new crew comes back to shore into an earlier era.
  • Jenkin shot on 16mm with a hand‑cranked Bolex that limited takes to about 27 seconds, with all dialogue and effects created later through rigorous ADR he helped perform.
  • Production relied on a real local fisherman’s vessel owned by Lee Carter, with MacKay and Turner performing physically demanding on‑camera fishing work.
  • Critics note a stronger move toward horror within Jenkin’s signature analogue aesthetic, and Protagonist Pictures is handling international sales ahead of New York and London festival screenings.