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‘Le Rire et le Couteau’ Wins Cannes Prize as Critics Praise Its Postcolonial Lens

A five-hour version will be released this autumn to broaden the film’s critique of development aid

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Côté pile, un film désirant, érotique en diable, «le rire» du titre. Côté face, «le couteau», un film diurne et acéré.
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Overview

  • Pedro Pinho directs his latest work, a 3½-hour hybrid documentary-fiction that follows Portuguese engineer Sergio in Guinea-Bissau.
  • The film’s lead performance earned an acting prize at the 2025 Cannes Film Festival.
  • French critics laud its immersive exploration of colonial and decolonial tensions within humanitarian road-building projects.
  • Striking visuals juxtapose the Sahel desert with lush northern forests to highlight environmental and cultural divides.
  • Météore Films is slated to unveil a five-hour extended cut in autumn 2025.