Lav Diaz’s Magellan Recasts the Explorer as a Brutal Agent of Conquest
Diaz’s immersive long takes foreground the brutality of colonial pursuit.
Overview
- The 163-minute feature is brief by Diaz’s standards, positioned as a more approachable entry to his work.
- Gael García Bernal plays Ferdinand Magellan in a performance observed largely in distanced long takes.
- The narrative roots itself in early-16th-century campaigns, beginning in Malacca, with images that emphasize slaughter and subjugation.
- Reviews highlight a style that privileges immersion over momentum, including glacial tracking shots and nature-versus-man tableaux that recall Rossellini.
- The film interrogates religious zeal and colonial hypocrisy, contrasting the commander’s worldview with the experience of an enslaved Malay translator.