Overview
- Critics describe a stripped, laboratory-like approach that foregrounds inherited violence and collective culpability over topical politics.
- The cast of three—Jens Harzer, Constanze Becker, and Kathleen Morgeneyer—shifts roles, with Harzer embodying Antigone and Becker shaping a reasoned Creon.
- Johannes Schütz’s design centers on a suspended divider skinned in paper, paired with a sparsely dressed stage strewn with sculptural objects.
- The performance runs about two hours without intermission and leans on Hölderlin’s language, demanding concentrated delivery and precise balance.
- Reviews note an intimate, rehearsal-like tone with occasional ambient sounds, and a deliberate estrangement that offers few bridges to contemporary references.