Overview

• The anthology features Guillermo Francella in 16 distinct roles that parody familiar Argentine archetypes.
• Ultracine reports 72,267 tickets sold on opening day, capturing 61.6% of Argentina’s total cinema attendance.
• Reviewers consistently praise Francella’s versatility while faulting the film’s uneven writing and pervasive product placement.
• Eva de Dominici has defended her “Piso 54” segment, saying the extortion-themed scene is not a false accusation of sexual violence.
• Produced with private and advertiser funding, the film follows a theatrical-first strategy intended to spark public debate rather than stream immediately.