Overview
- The 11th-century embroidery, about 70 metres long with 58 scenes, is scheduled to go on loan to the British Museum for nine months as part of a Franco‑British exchange.
- In a newspaper essay, David Hockney calls the move “madness,” arguing the weakened linen and wool threads make transport and re-hanging a “too big a risk.”
- Conservation worries cited include potential tearing, stitch loss, distortion and light fading from packing, transit and extended display.
- Plans reported include a facsimile dry run, a bespoke concertina case and vibration limits, with French state-trained teams to oversee transport and installation.
- Public opposition has mounted, including a petition with more than 40,000 signatures, as officials praise the tapestry’s significance and prepare cover under the Government Indemnity Scheme valued at £800m.