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Historians Clash Over 'Missing Penis' Claim on Bayeux Tapestry

Dr. Christopher Monk's assertion of a 94th penis in the tapestry's marginalia reignites debate with Professor George Garnett over medieval symbolism and interpretation.

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Overview

  • The Bayeux Tapestry, an 11th-century artifact commemorating the Norman Conquest, is at the center of a scholarly dispute over genital imagery.
  • Dr. Christopher Monk recently claimed on the HistoryExtra Podcast to have identified a 94th penis in the tapestry's border, challenging Professor George Garnett's 2018 count of 93.
  • The contested detail, found beneath a running man's tunic, is interpreted by Monk as male genitalia, while Garnett argues it represents a sword scabbard with a brass tip.
  • Experts, including podcast host Dr. David Musgrove, emphasize the tapestry's multilayered nature and its capacity to provide insights into medieval perspectives on power and virility.
  • The Bayeux Museum describes the tapestry as both an epic poem and a moralistic work, with its explicit imagery continuing to intrigue scholars nearly a millennium after its creation.