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‘Harvest’ Earns Praise for 16mm Texture but Critics Note Its Pacing

Tsangari’s first English-language feature examines land privatization through vibrant 16mm visuals

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Overview

  • Athina Rachel Tsangari adapted Jim Crace’s 2013 novel into her debut English-language film
  • Cinematographer Sean Price Williams shot the movie on 16mm film, creating a granular, tactile aesthetic praised by reviewers
  • Set after the 1604 Enclosure Act, the story follows villagers facing privatization, exploitation, and communal disintegration
  • Reviewers commend the film’s thematic depth and sensory imagery but describe its deliberate pacing and tonal shifts as laborious
  • Harvest has completed its festival run without securing a distributor, leaving its wider release in question