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François Ozon’s The Stranger Premieres in Venice Competition With Colonial-Era Reframing

The director says he centers the realities of French rule in Algeria to remain faithful to Camus.

Overview

  • Ozon presented his black-and-white adaptation of Albert Camus’ novel in competition at the Venice Film Festival and discussed his approach at a press conference.
  • He said a pivotal line about the victim’s identity shaped his decision to contextualize the narrative within French colonization of Algeria.
  • The adaptation restores visibility to the unnamed Arab victim and amplifies female perspectives, including a new character created to address historical erasure.
  • The movie was shot in color and converted to black and white for aesthetic reasons and production practicality tied to re-creating 1930s Algiers.
  • Benjamin Voisin stars as Meursault, and Gaumont backed the project after early financing resistance and plans a France release on October 29, 2025.