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François Ozon’s ‘The Stranger’ Debuts in France, Screens at Los Angeles Festival

Early notices point to a stripped-down black‑white visual approach that reframes the story through Algeria’s colonial context.

Overview

  • The new adaptation of Albert Camus’s novel is being shown to U.S. audiences at the American French Film Festival (TAFF) in Los Angeles.
  • Benjamin Voisin stars as Meursault in Ozon’s black‑and‑white feature.
  • Critics highlight archival imagery that roots the narrative in colonial history and reframes the central crime as racially charged.
  • The film follows the book’s prison‑flashback structure, with the concluding philosophical passage translated into images.
  • Le Canard enchaîné calls the film a very successful refresh following Visconti’s 1967 screen version.