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Documentary 'Sep Ruf – Architekt der Moderne' Showcases Major Works but Lacks Critical Depth

Reviewers note the film’s sleek visuals overshadow its exploration of Sep Ruf’s place in postwar West Germany.

Ein flacher Bau mit überkragendem Dach, rundum verglast: Lampen leuchten aus dem Inneren heraus
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Overview

  • The documentary “Sep Ruf – Architekt der Moderne,” directed by Johann Betz, premiered in German cinemas this July with a 96-minute runtime.
  • It spotlights Ruf’s signature projects, including Munich’s Neue Maxburg, the 1958 Brussels pavilion co-designed with Egon Eiermann, and Ludwig Erhard’s minimalist Kanzlerbungalow in Bonn.
  • Critics praise Betz’s pristine cinematography and layered sound design for vividly rendering Ruf’s light-filled glass and steel structures.
  • Many of the featured buildings now hold protected monument status, reflecting evolving recognition of West Germany’s postwar modernist heritage.
  • Some reviewers contend the film resembles an extended promotional piece, offering limited insight into Ruf’s socio-political networks and the broader historical context.