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Christian Petzold’s ‘Miroirs No. 3’ Opens in German Cinemas, Draws Admiring Reviews

Reviews single out Paula Beer, Barbara Auer, the music-led form, with dissent over the film’s cool restraint.

Overview

  • Released in Germany on 18 September with a reported 86‑minute runtime after an earlier festival bow that included an invitation to Cannes.
  • Set in Brandenburg’s Uckermark, the story follows a pianist who survives a car crash and is taken into Betty’s home, where she becomes a delicate mirror of a missing daughter.
  • Critics praise the performances of Paula Beer and Barbara Auer, with Matthias Brandt and Enno Trebs noted in key supporting roles.
  • Hans Fromm’s cinematography and the film’s diegetic use of music stand out, weaving Ravel’s Miroirs No. 3 with a striking moment set to Frankie Valli’s The Night.
  • Coverage frames the film as a restrained, tender study of mourning and repair that closes Petzold’s loose elements trilogy, even as some reviewers miss stronger emotional friction.