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Celine Song Rebuts 'Broke Boy Propaganda' Tag for Materialists

She says the film interrogates how wealth metrics distort modern dating and argues that classist reactions miss the point.

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Dakota Johnson as the matchmaker Lucy and Pedro Pascal as the charming financier Harry in Materialists
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Overview

  • With the film now on digital platforms, online debate has intensified, including posts dismissing it as "broke man propaganda."
  • Song calls that label cruel and classist, saying her story critiques capitalism’s hold on intimacy and the allure of wealth.
  • Set in New York’s matchmaking world, the movie follows a metrics-driven search for partners and contrasts a rich financier with a cash-strapped ex, led by Dakota Johnson, Pedro Pascal and Chris Evans.
  • Reviewers note a confronting sexual-assault subplot that underscores the limits of screening and status signaling in curated dating spaces.
  • In new commentary, Song ties the themes to limited class mobility in a broken economy, a perspective critics frame alongside Pride and Prejudice fantasies and parallels to Anora.