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Canterbury Cathedral’s Graffiti-Style Installation Faces High-Profile Backlash Ahead of Opening

Cathedral leaders defend the removable graffiti-style texts as a temporary way to bring unheard voices into the nave.

Overview

  • The HEAR US project places stick-on, graffiti-style questions about faith on pillars, walls and floors, with prompts such as “Are you there?” and “Does everything have a soul?”.
  • Created by poet Alex Vellis and curator Jacquiline Creswell from community workshops, the work highlights contributions from marginalised groups including Punjabi, Black and brown diaspora, neurodivergent and LGBTQIA+ participants.
  • The cathedral confirms the texts are transfers rather than paint, the installation formally opens on October 17, and it is scheduled to come down on January 18, before Archbishop-designate Sarah Mullally’s enthronement in March.
  • Reaction has been sharply divided, with some visitors calling the display “sacrilegious” and comparing parts of the interior to “an underground car park in Peckham,” while others praised its impact.
  • Criticism has escalated online, with US Vice President JD Vance denouncing the display as making a “beautiful” building “really ugly,” and figures such as Elon Musk also labeling it “shameful,” as the dean reiterates its bridge-building intent.